extract from a g**d book
Jul. 1st, 2003 10:59 am...The attacks on New York and Washington, D.C. were organized as epic horror cinema with meticulous attention to mise-en-scene. The hijacked planes were aimed to impact precisely at the vulnerable border between fantasy and reality. In contrast to the 1937 radio invasion, thousands of people who turned on their televisions on 9/11 were convinced that the cataclysm was just a broadcast, a hoax. They thought they were watching rushes from the latest Bruce Willis film. Nothing since has thrown cold water on this sense of illusion. The more improbable the event, the more familiar the image. The "Attack on America," and its sequels, "America Fights Back" and "America Freaks Out," has continued to unspool as a succession of celluloid hallucinations, each of which can be rented from the corner video shop: The Siege, Independence Day, Executive Action, Outbreak, The Sum of all Fears, and so on. George W. Bush, who has a bigger studio, meanwhile responds to Osama bin Laden as one auteur to another with his own fiery wideangle hyperbole.
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