Review of The Departed
Oct. 15th, 2006 01:04 am
Martin Scorcese's The Departed is not very good. Bloated and full of "performances" by "actors", it's more like a vanity project than a well-directed, moving or interesting film. Plot holes the size of Mark Whalberg's head, plot twists that serve no function other than to fill up the hours, and really dodgy editing make this 3-hour-long plonker a definite non-contender for the Oscars (but don't take my word for it -- Hollywood, after all, did nominate Kiera Knightly for Pride and Prejudice). Jack Nicholson plays Jack Nicholson playing a bad guy (set to pantomime speed); Leo DiCaprio squints and sniffs a lot; Matt Damon incorporates Christian Bale's American Psycho; and Martin Sheen is starting to look like my grandmother.
Scorcese shows he's run out of ideas from the start, when the first song to come up is the Rolling Stone's "Gimme Shelter" -- a track he already used in Casino. From there, the usual American mafia cliches abound -- this time transposed to the Irish community in Boston. Tough guys, undercover cops, drug busts, police surveillance... it all feels a bit tired and shodily handled. I've seen better C.S.I. episodes.
It's not the worse three hours of your life, but you could definitely do better.